The writer magnificently draws a portrait of America in the 20s – an era of unprecedented prosperity that transformed and even disfigured the country.
It was the Jazz Age – a world of the beautiful and the damned. It was an epoch Buy Bourbon online of bright lights, idleness, self-indulgence, dreams, boom, and doom. Unrestrained materialism expanded moral boundaries, trampled on values, and shaped the aspirations of an entire nation.
Nick Carraway, the narrator of the story, was seduced by this lifestyle and mesmerized by its personality. Jay Gatsby, his rich neighbor, idolized wealth and threw wild parties. There was music from his house through the summer nights.
“In his blue gardens, men and girls came and went like moths among the whisperings and the champagne and the stars… On weekends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains… At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby’s enormous garden… By seven o’clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums.”
Affluence was the fingerprint of America in the 1920s, and decadent young love was engraved in its soul. Other than his lavish parties, Jay Gatsby remained a character of many enigmas. His real identity and origins were a mystery, and his trade a matter of whispered speculation. While some saw genius in him, others suspected menace and even madness. His greed and ambition were, however, profoundly stirred by the mood of the time. His only creed and religion, like many in his small and closeted society, was money
Across the bay from Nick’s house lived Daisy Buchanan and her rich husband, Tom. Nick learns that his new friend Jay Gatsby once knew Daisy and was still enamored of her. His lavish parties were an attempt to impress her. Gatsby asks Nick to arrange a meeting between him and Daisy. The pair soon meet, and with their old love rekindled they begin a passionate affair. Tom Buchanan discovers his wife’s affair with Gatsby and is indignant though he also has an affair with Myrtle Wilson. Illicit romantic entanglements defined the lives of the rich.
From here, the author delightfully provides an astonishing account of doomed love. The reader observes the destruction of Gatsby’s life. On a drive back home to Long Island from the city, Nick, his girlfriend, Jordan, and Tom discover that Gatsby’s car has struck and killed Myrtle Wilson, Tom’s lover. Nick later learns from Gatsby that Daisy was driving when the car hit Myrtle, but Gatsby intends to take the blame.
The reader asks himself at this point of Jay Gatsby: ‘How do I describe thee? Was he stricken by obsessive behavior? What kind of man would take responsibility for a crime that he didn’t commit? The night of the accident, floating in an air of melancholy, Gatsby spent the evening crouched outside Daisy’s house, worried sick about her. A sort of madness had, it seemed, seized upon him. He didn’t seem at all concerned about Myrtle Wilson’s fate.
Tom, wilfully tells Myrtle’s husband, George, that Gatsby was the driver of the car that killed his wife. He might as well have driven the dagger into Gatsby’s heart because George believed that the driver of the car must have been the lover of his unfaithful wife. He finds Gatsby swimming in the pool of his mansion, shoots him, and then takes his life. Somehow, I don’t think Gatsby would have lamented his death since, in his love-sick mind, he had sacrificed himself for someone he dearly loved.
While many of Gatsby’s friends stayed away after his death, his father, the man Gatsby never once publicly acknowledged, appears. The funeral was a modest affair compared to his wild parties. There were three cars- the first was a motor hearse, followed by the limousine with his father, the minister, and Nick Carraway in it, and in the third car, there were only three servants and the postman.
Daisy Buchanan, the first “nice girl” Jay Gatsby ever knew, never showed up. She had already withdrawn into her appallingly artificial, superficial, and selfish world… “redolent of orchids and pleasant, cheerful snobbery and orchestras… ” To compare Gatsby and Daisy’s romance to that of Romeo and Juliet would be an insult to love. Will anything good happen to Tom and Daisy Buchanan? The reader can only wish them a sea of troubles, for they are the epitome of villainy.